Kiss of the Spiderwoman - Bristol Old Vic REVIEW
- Olivia Scull

- 4 days ago
- 2 min read
Kiss of the Spider Woman at Bristol Old Vic is a triumph of storytelling, bold, immersive, and emotionally resonant from start to finish. The show is a brilliantly told story, weaving together a dark, often harrowing narrative with moments of dazzling theatricality.
The contrast is where the magic truly lies. One moment, the audience is drawn into the stark reality of a prison cell; the next, they are swept away by glittering, high-energy musical numbers that bring a sense of escapism and sparkle to the gloom. This contrast between the light and darkness is handled with precision, ensuring neither element overwhelms the other but instead enhances the emotional depth of the piece.

The score feels unmistakably inspired by the signature style of Kander and Ebb, echoing the seductive allure and biting wit found in musicals like Chicago and Cabaret. The songs are not only plentiful but consistently engaging, each one serving to deepen character, advance the narrative, or provide a moment of theatrical flourish. There’s a richness to the music that lingers long after the curtain falls, with several numbers standing out as true highlights.
The cast is nothing short of exquisite, delivering performances that are both technically accomplished and deeply felt. Anna-Jane Casey is utterly captivating as Aurora, embodying the Spider Woman with magnetic showbiz energy and charisma. She commands the stage whenever she appears, effortlessly shifting between glamour and menace. Her role as a manifestation of psychological escape is portrayed with nuance, becoming a vital thread that connects the inner worlds of the two imprisoned men.

Fabian Soto Pacheco’s Molina is warm, vulnerable, and quietly complex. His portrayal captures the character’s sensitivity and longing without ever slipping into caricature. Opposite him, George Blagden’s Valentin provides a compelling counterbalance. As the guarded political prisoner, Blagden brings intensity and restraint, gradually revealing layers of emotion beneath the surface. Together, their chemistry is exceptional, and both of their voices are gorgeously rich and well-rounded. The dynamic between Molina and Valentin evolves beautifully, moving from suspicion and distance to something far more profound and affecting.

What makes this production particularly special is its sense of boldness. It doesn’t shy away from the difficult themes at the heart of the story, such as oppression, identity, and the power of imagination, but instead embraces them. The result is a revival that feels expansive and encompassing, drawing the audience into its world with confidence and clarity.
This show is a testament to the power of musical theatre to illuminate even the darkest corners of human experience. With its compelling narrative, unforgettable score, and outstanding performances, this production stands as a shining example of how classic material can be reimagined with both respect and innovation.




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