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Play On! - Bristol Old Vic REVIEW

Play On! is a vibrant and joyous reimagining of Shakespeare's Twelfth Night, set against the backdrop of 1940s Harlem's jazz scene. This production blends the timeless music of Duke Ellington with dynamic street dance choreography, creating an atmosphere that's both nostalgic and exhilarating.



The narrative follows Vy, portrayed with remarkable charisma by Tsemaye Bob-Egbe, a talented songwriter determined to break into the male-dominated music industry. Her journey of disguise and ambition leads her to the enigmatic club owner, The Duke (Earl Gregory), and the sensational singer, Lady Liv (Koko Alexandra). The chemistry between the leads is palpable, drawing the audience into a whirlwind of melody, mistaken identity, and romance.


Director Michael Buffong's vision shines through in every aspect of the production. The choreography by Kenrick H2O Sandy is both slick and energetic, complementing the live on-stage band that delivers Ellington's classics with finesse. The set design, a versatile red proscenium arch, effectively transports viewers to the iconic Cotton Club, immersing them in the era's ambience.



Cameron Bernard Jones as Rev delivers a show-stopping rendition of "I'm Beginning to See the Light," exuding charm and talent. The duets throughout the second half are particularly memorable, highlighting the cast's vocal prowess and emotional depth. Other notable numbers include “Take The A Train” and “It Don’t Mean A Thing”. 


Though the plot occasionally takes a backseat to the musical performances, the production's energy and enthusiasm are infectious. The ensemble cast brings a palpable sense of joy to the stage, making "Play On!" a delightful experience from start to finish. It's a testament to the enduring appeal of Ellington's music and Shakespeare's storytelling, seamlessly intertwined in this captivating show.


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